remote interview series intro
there was no scriptures nor oral history transmitted there was only iphone videos in selfie mode and mini dv tapes
was she easy to deal with?
was she wearing any clothes?
oil drum ref and polis ref they were in the caption . they were to be deciphered potently if there’d be a will
easy
but men made ref of men elsewhere and orally (yes), on the floor (yes) lounging (calling all bohemians). his disciples fetched papyrus and started to make men made ref known
he was talking
and sometimes living allegories
he was
said to have walked around
holding a lamp looking for an honest man
who didn’t see her dancing on a rooftop?
remote interviews transpose logix thru texnologia
and you might wanna talk about it
some might wanna file it
and some others might wanna own it while some will simply ignore it
per se cause she she spoke and moved cause she’s written some down cause she's called out and fronted in her rhythm and stanza and visual language what did she say ? and is there any point laying out subjectivities?
yes, cause words are prayers
now, who is the witness?
if the listener, he who shapes history, will come
he will give her categories, ask and enquire
for the boiling point follows suit and the labels must be clear
generative processes with registered pathways in a tight parcel compartment
for definition is his principled delight
before
it is other sensibilities, if tracked in all its softwired mispronunciations
storing online and displaying online
show me your platformed meta
your knack
commune in words since our eyes won’t meet
commune in pictures
display is fun when you’re a babe in the woods, rosy hearts
she is even quoting herself:
come along with me this world is home to me
Anastasia Freygang was born in Moscow and raised in Berlin. She is interested in non-linear and subjective modes of narrative-building through language, sound and the present body. Her radioshow MILLIONMOUSE A TUNER airs every Wednesday 10-11pm on Resonance Extra. She is currently based in London.
